Details on Gibson Hall, Bishopsgate
Walk along Bishopsgate and you could easily ignore Gibson Hall. Although slightly grubby (and in the shadow of the glass behemoth that is 22 Bishopsgate) its sculptural details are worth a second look.
Gibson Hall, Bishopsgate
Now known as Gibson Hall, this is the former National Westminster Bank designed by John Gibson 1864-65.
It’s an oddly-shaped little building and needs a good clean, but its architecture and decoration make it live up to Pevsner’s description as “the best bank in the Victorian City”.
Above the entrance is a roundel that reads National Provincial bank of England, Instituted 1833. The National Provincial Bank was one of 3 banks that merged to from National Westminster Bank in 1970 and until then this building on Bishopsgate was their HQ.
You can also see their initials above the main entrance;
The Sculpture
The more you look, the more sculptural detail you notice and the whole building is covered with statues and decorative reliefs.
Working from the top down, there are a collection of statues along the roof. Sadly these are draped in netting – presumably for their protection – so it’s hard to fully appreciate them.
But let’s take a closer look, regardless…
The sculptures are all by Messrs Colley and Pevsner informs us they represent “England and Wales (above the doorway), Manchester and London and “lesser” cities.
It was relatively easy to spot England; a spear-clad Saint George spearing a dragon. Although it has to be said that the two women either side don’t look either alarmed or impressed.
The next grouping above the doorway must therefore by Wales, complete with a figure holding a harp and the central man which a huge sword poking through the netting.
I assume London is shown with the shield of the City beside her;
And below is therefore Manchester;
Continuing the row of sculptures along the roof are then five single women representing British cities, but it’s hard to establish which are which. I’ve read that Birmingham, Dover and Newcastle are included so let me know if you can guess!
The Relief Panels
Much easier to appreciate are the wonderful panels by John Hancock. They sit high up, between each column and all feature an angel overseeing different groups at work.
They symbolise the trades and industries that the bank supported financially. One by one they show…
The Arts; with nymph-like women carving a column’s capital and with instruments scattered around them.
Commerce; the central angel surrounded by stereotypical depictions of international trade and a beehive – symbol of industrious work – at her feet.
Science; the angel reads a long scroll while a bearded man teaches some young children about astrology.
Manufacturing; the spindle wheel clearly shown in the bottom right hand corner.
Agriculture; I particularly liked the cornucopia – horn of plenty – spilling out of the stone frame.
Navigation; and presumably a nod to the might of the British Navy.
Mining; the attention to detail and the muscular backs are wonderfully carved.
and Shipbuilding; again although obviously static, the figure swinging back that mallet looks primed for action, you can imagine him moving any second!
Have you admire this building’s details before?
To read more about hiring the hall (and have a look inside its gorgeous interior) you can visit the website here.
David Farrell
Hi Katie, When I am looking up in the City it is usually to gawp at the latest skyscraper being built! Next time I will lower my eyes slightly and take in the Gibson Hall. The Relief Panels are really beautiful.
Katie Wignall
They are aren’t they? Hopefully they’ll get a good clean once 22 Bishopsgate is finished. They have some lovely coloured glass panels installed which definitely encourages looking up!
Roger Malcolm Manning
Hi Katie
Statues.
The statues are from left to right. (first three and last are groups)
Manchester, England, Wales, Birmingham, Newcastle (Staffordshire), Dover, Shipbuilding towns, Mining towns then London.
The original building in 1866 had four bays, the two right hand bays were added in 1878.
The large circular panel in the entranceway was changed in 1917.
As a family, we lived here in the “Engineers Flat” from 1953 – 1971,